Once again, Leong delivered a great talk illustrating how one can raise one’s bonsai practice from the ordinary to a more sophisticated and pleasing level. Leong very kindly provided the information quoted directly below. ‘There are many elements of a tree that can be employed to create a bonsai. In creating a particular bonsai style, […]
Last month, Allan gave a thought-provoking presentation on how to develop one’s artistic skill with bonsai and/or penjing. Using Sydney artist Lindy Lee’s advice to young visual artists, Allan introduced us, through example, to the art of appropriation and its extension into artistic practice. Lindy refers to what she calls the Second Year Crisis- ‘When
Artist, bonsai artist and BSA member, Michael Kempson has a new exhibition of truly beautiful etchings at the Flinders Street Gallery, Darlinghurst. A master printmaker, Michael combines an artist’s sensibility with great technical skill. These works examine ideas of bonsai- traditional and contemporary, real and imagined, and the contribution of time and place to evolving
Another great demo from Ian and Sean on root over rock last month and if you’ll excuse the pun, between them they covered all facets. Root over rock can be broken down into three basic parts: selecting the material, putting the plant material onto the rock and developing the bonsai on the rock. Each stage
Allan is well known for his involvement in the Penjing Institute of Australia with Kingston Wang and his role previously in maintaining the bonsai and penjing at the Chinese Gardens of Friendship at Darling Harbour. Allan studied bonsai for fifteen years but penjing is where his heart is. Trained in China, Allan is the creator
What is it about these two photos of the same tree taken the same morning? What is the subtle but marked difference? Why is the modified style in the second photo better? It is all about TAPER, the natural progression from thick to thin that balances a tree. In the first photo a twin apical
Neil Ryan’s theme for the AABC Conference this year was how to move a tree that had been aesthetically pleasing and well styled in the past into its next iteration. Tony Bebb’s demonstration last month was a lesson in how to achieve this. Tony chose an old Japanese white pine (Pinus parviflora) that while still
Ian joined the BSA in 2000 after leaving both South Africa and his bonsai collection to come to Australia. Since then Ian has rebuilt a significant collection of both native and exotic trees. Ian is a skillful communicator whose deep knowledge of bonsai and artistic flair makes every demonstration he conducts interesting and informative. This
NSW Camellia Research Society Inc presents its 50th Annual Camellia Show. Happening at Ravenswoon School for Girls Henry Street, Gordon, this July 13, Saturday from 1.30PM to 4.30PM and July 14th Sunday from 10AM to 4PM.
This year we will again have our show at the Harvey Lowe Pavilion (20-22nd September), so put the date in your diary and this is and seriously consider displaying one or more of your trees. The Harvey Lowe Pavilion is a very large space and for our show to look its best we will need
